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EYES WITHOUT FACE - G. Franju (1959)

Genessier The surgeon scans the face of a patient who has been admitted to his clinic. His eyes devour in search of some consistency with his daughter, he cut up already and the keen attention to the medical gaze is mixed, making it unhealthy, dangerous. The benevolence of the health technician at the service of body function is perverted, transformed to an end passionate, tragic, that put a face to her daughter, disfigured in a car accident he caused.

love or guilt? Genessier is doubly charged responsibilities: in addition to being the murderer of a face, it is one of his own daughter. The guilt is not sufficient to justify his company mad love for her daughter is dramatized by this debt, his life is erased in favor of one he mutilated. All lives have the same value, the girls could die and succeed indefinitely in the basement of the surgeon, they are like dogs in the next room, rooms at the disposal of their jailer. Ambiguous role of the daughter of Genessier, victim-executioner the show dismemberment of the others do not bother, it does not put a brake that when she resigned to failure of a new birth, when she surrenders to the leak by freeing all beings who had been confined to her advantage.

Malaysia during the cutting face of a young girl: the film has aged, blood is grossly wrong, the cuts are obviously simulated, but the discomfort is born and develops. The suggestive power of the scene than any concern for verisimilitude, for long minutes the camera never leaves the closeup of the face carved off. The sensitivity of our own face is such that it projects itself in this simulation awkward discomfort is violently physical.
Barbarism is not the totality of torture, this focus on the face is itself dehumanizing : faceless we do nothing, we're not this monster that everyone believes death, forced into hiding as Christiane. A monster who can not find his humanity in butchering those of others, something has been lost and can not be solved, that inhumanity can not fill that are transmitted, in stealing faces in turn.

eyes without a face: the eyes are, lost in a mask trying to reconstruct the face mask with white plaster seems to follow that of the skin of the crystal Christiane. The mask belongs more to Christianity than the faces she tries in vain to capture, transplant rejections and their successive and still she must don his mask, faithful into the leak.
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