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The Bohemian lifestyle - Kaurismaki

A writer, a painter and musician meet by chance and necessity, unreliable tenants who come and go, customers who share a brotherly flat brewery. Their bohemian life of the bitter price to pay to live in accord with what they are: lack of money and even when it's there, hard currency, it foreshadowed the precariousness of those who spend without organization or sense of priorities in the service of a good life does not ephemeral basics of survival. But what interest would there be to eat to survive, to stay warm for a body? Bohemian life shatters the lives seeming obviousness rows to excess it replaces the stability and comfort insecurity and indifference. If there is food it must be beautiful, she should not have the modesty of the compromise or the sadness of poverty, and this aesthetic requirement is also that of Kaurismaki's films is that it looks nice animated engravings, a recount that is not so much failure that way, not like another being. Most emerges when physical structures queens decline: the strange friendship of three artists, their natural support and love Mimi, confusing love and filthy that is savored and understood precisely this deprivation.

The bohemian life is silent or does not propose any model: there is no genius in the paintings of lines or the writer, there has basically no reason to admire their dedication bounded artists, it's their freedom we speak Kaurismaki, a bittersweet freedom in which man does not forget himself.

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Würm power 2


Lots of good news for WORM!

There may be some of you who were wondering what became the game of prehistoric roles for which I promised some time ago already a redesigned and finally an addendum to the rules. Well there it is! I just recently to equip the RPG WURM a supplement: the Companion . And for good measure, I accompanied a screen playmaker .

In short, the Companion clarifies and expands the rules basic game without complications, and gives many details on the Game: The World of the Ice Age 35,000 years ago (roughly that of Vo'hounâ) and Paleolithic cultures. With little topo on hunting, fighting, magic, camps, violence, art, burials, rules for playing children, etc. ... All in 45 pages. There will also be ready to play scenarios signed Yodram (already the author of the campaign's heirs Ragmar ) and Olivier Castan (talented author of jdra Bad Guys and Harry Potter ) - Thanks to them for their valuable assistance.
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The screen is 4 strands and decorated with a panoramic illustration by Eric Brun. For the more observant among you, this is the illustration he has performed for the beautiful prehistoric site of Castel Merle and presented it on his blog a few weeks ago. I want to thank very much all that Eric Castanet Isabelle de Castel Merle for allowing me to use this beautiful backdrop for the screen image.
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But that's not all. Two good news is good, but what about the third? The third
here it is: editions Icarus, specialized in publishing role-playing "indie" quality, approached me to offer me to release a "pro" version of role-playing Wurm.
This is good news! Here is what

Project:

WURM will come in paper edition, as a beautiful book of 120 pages that contain the basic game plus companion consolidated into one work still improved compared to the current version.

The book, in A4 format, will have 120 pages full of glossy pictures of my own, including 24 color pages and a hardcover novel illustrated with a painting done by me.

The selling price is fixed to 29.95 €

I admit it feels like. But in fact for the moment it is put in the conditional. Indeed, in order to give birth to this beautiful book, Icarus editions need to get 100 pre-orders. Yes, 100 .

it is both much and little. In any case if you enjoy the role play Wurm and are interested in the idea of holding the rule book in your hands, do not hesitate to support the cause: the cave is large, there is room for everyone (and more the paintings are nice). The first draw would be about 200 copies, the first 100 (of those subscribers, so) will be autographed by yours truly.

With Icarus, we gave up mid September to see if the project actually interested in the world, in which case we will launch in earnest pre-orders. In the meantime, so we need to know if this interests you.

To this end, I installed in the right column a little survey with one answer. If you're starting to spend a pre-order when they are open, please check the box Ay! , (and possibly send me a note but not mandatory) like that we will know where we stand in terms of public popularity.

Finally, I added always in the right column is a new small field labeled WURM downloads. You can find links to download the rules and all the material available to discover this game before the release of the luxurious Professional Edition!

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Ballo in Paleosite

Hi all,

For its second edition, the festival of the Prehistory of Paleosite BD was a great success, with attendance far exceeds that of last year . In addition to the August presence of lots of great authors, the fact that a large part of the film set AO is now exhibited in the park over a fun course there is probably no coincidence. GOLD , The decorations are not the only elements that are now in Paleosite: the costumes of the film are too! That's how, on an idea by Eric Brown and Virginia Teilhol, we ended on Wednesday evening to make zozos in prehistoric costumes. It was a great time that we leave a lasting impression, for sure. Here are some pictures for a good laugh, before moving on to things more serious!

EDIT: Two new photos in the decoration of the Neanderthal camp, sent by Antoine Balzeau!

from left to right: Back row: Marc-Olivier Nadel and her children, Florent Rivers, Priscilla Mahieu, Eric Brown, Marc Klapczynski, Claire Troilo. Before: Your servant, André and Antoine Cheret Balzeau



from left to right: Eric Brown, Marc-Olivier Nadel, Priscilla Mahieu, André Cheret, Claire Troilo, and Florent Klapczynski Marc Riviere

Your servant, Eric, Priscilla and Florent

Me, Florent, Andrew and Marc Cheret Klapczynski ! It is not cute?

Here! Well, there were plenty of other photos in other sets probably even better but I have not yet then maybe I'll change them in a few days or more. See you soon!

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love men / Ready-to-wear Robert Altman

former critic who has lost his country and is therefore an interest in being republished here. I would like one day write more in detail on the Altman film.

Short Cuts it already was: no plot, no "attention starts" or "it's over" because Altman has the idea that the film has to pretend to continue without us, off-camera, and also our own lives; we do not decide to go, we take everything, even when swallows were hungry, that's what the film comes to understand our own lives .
Short Cuts was already as this: we take the best of the best players and they are played, so that we remember suddenly how much they are respectful to our service and it was never intended to flatter a day, or at least just love them for their ability to mimic so well man, too many things to crystallize in him a simple gesture. Altman
adopts the perspective of a benevolent God and love of his creatures, he forgives everything and shows why he forgives because people are unique, inconsistent, touching in their stupid adults. The camera is one that takes men in flagrante delicto and they said 'look what you did "you're behind the charade that is insane the world of fashion. He also says, in essence, humanity, you're beautiful in your inattention in your abandonment, fairs you everything you undertake, your beauty escapes you and she is beautiful because it escapes you : you are beautiful in your bathrobe, you are beautiful in your weakness, you're ugly when you control when you think you control it.
is officially "that's the Fashion, the building rather strong, this monster with the rules (the parade of credits in the end credits is spectacular) and informally" these are the men, weak, loose, inconsistent, unfaithful, conceited. Fashion
ago, this institution became autonomous, escapes and swallows the world, which has its own workers and its customers, and a director who decides to make the imagination of what is foreign to his own honey, invest the place in the presence of men and women, bodies and stories, and fuck really mess with the fashion week.

Altman that he denounced denounces without ever showing coarsely stress (even if show is already noted), there is a large wreath of crepe paper snowmen in detail where it says nothing important but where all says it all: he said "life is a series of stories to tell," Altman does in fact continue as the means of film sets, images, atmospheres that Raymond Carver was trying to plant in our heads with his stories, but "fashion is still life, still the man." The film also has the virtues of story and ignores its shortcomings, dense and delightful as her, but preferring the length of a fresco, the idea of ensemble film pushed into a corner, rather than its frustrating brevity .

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I in real


Hi all,

This year the festival of the Prehistory La Chapelle-aux-Saints was a great success and an opportunity for meetings also always nice and warm. We just had a big storm on the head part of the day but it was not enough to obscure the good mood.

This celebration was a special moment because I have dedicated my very first copies of Ao little Neanderthal in preview along with Claire Troilo, author (s) of the album and Marc Klapczynski who presented the new edition of his trilogy of the last Neanderthal. So there it is, the albums are there, they just find their way into bookstores, they should normally meet on August 26th. So

Hi Claire, Marco, Jean-Marie, Rosemary, Christine, George, Robert, Bernard and all the others and very soon (and hello, too, of course, Tinky & Mimi - I think you had the first two signings of the album little public Ao;)) Note that

Claire, Mark and myself will be back meeting next week Paleosite for the second festival of comics prehistoric (and also illus). It will include Eric Brown and Priscilla Mahieu, and Chantal André Cheret ... Come!

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Small notes The Searchers by John Ford (1956) Natalie Wood

The scenes in the villages are turned into studios, and it feels to look at, why?
1) because of too high order that is felt in the studio sets. Nature suggests that it wanders, she calmly turned toward herself and thus it is not practical or decorative but disorganized and rigorous. We shoot with the rigor it imposes on us, and indeed the aridity of nature is a necessary ingredient of the Western. Thus the studio setting can only ring true: the sky is blue without depth, vegetation and minerals are ridiculously poor, unmanly, positioned so that it leaves room for a rest. A man can not reproduce the type size, it can not reproduce his order in disorder, it lacks an overview, it lacks time to moderate this dead blue supposed to give the feeling of heaven He lacks ambition, he prefers him to the bush to the wise and huge plane tree.

2) You feel very quickly limited by the context, something the decor gives the impression that outside of the frame and nothing has been decorated as the technique ahead. We feel the roundness of the set built around the camera, by a kind of avarice, takes everything to the limit will not be filmed. It would take a slight movement of camera to fall on the vacuum. Why create a whole desert for two three still shots? The imaginary pick up the pieces, guess the outfield. It would be like a skirt ALMOST too short, but is not yet, we would like to expose the shamelessness but words are formed in the mouth without commenting, because it is not quite shameless.
But that's where I wanted to get at incredible detail and burned my eyes, at the top of the screen it is very often either poorly framed and we see the very top screen the edge of a piece of decor and studio. This vision was burning my eyes, it was simply unbearable and setter of questions: the rigor of a developer can pass it bad angle so rude? If it is intentional it was for the middle of this western very serious, too serious, almost exhausting, and would leave suddenly escape casually semblance of reflection on film and fiction general?
I'm looking on the internet, I find nothing that studious analysis of the film but nothing on this burning hole in the fabric of fiction. I am willing to be told that all these stories I'm going to see are fake, from there to show me ...

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If the viewer decides

I want someone to explain this timing issue that shows Natalie Wood so early in American cinema, so early earth. This actress, I learned to love in spite of this technical problem has everything to do with the canons of beauty and not with those existing at the time. He says very beautiful and great roles that I do not explained to me: she plays very well but she does not have that je ne sais quoi of a little unreal, incredible worship that had all the actresses of the time, a something which manifested itself even in their flesh, even what they were. Their features speak for themselves and say all of them, and they did not seem cons, they are alluring, images that sometimes deign to get in the middle movement of players. They subdued and subjugated by a mixture of eroticism, feminine spirituality whose character may be abstract and incommunicable just talk and thrive in a magical fashion and Hollywood, which includes all the outfits, makeup, hairstyles , a way to pose in a certain light striking the body of unreality .
Natalie Wood as escapes me at this picture but it is never ever an actress, always good in motion. It does not reach that fixity that Marilyn may have and making it ever-brainer when it is moving. I notice that Natalie also has a rather physical game, flexible, passionate and expressionistic where Marilyn, locked and embellished outfits unthinkable, was reduced to a fixed set without much movement. Basically she had to stay an image and not too deformed by movements of intruders.

Natalie Wood's face is nothing glamorous and absolutely not adhere to what could be the makeup at the time, it gets to be natural. This is not a creature but impressive beauty city, an actress of our time when the need for any actress to be "like all women" and close to them, the girl next door , to not too much complexed. It denies the phantasmagoria of the image because the image is too often synonymous with truth, she has homework to complete likelihood.
Natalie Wood does not voluptuous shapes and serrated cutting the time to make it look like an actress in a current film in Scorsese from the 50s. She is slender, brown, tan, his eyes are too hot, Marilyn had a look but her hair hot cold restore some balance. It would have been very good in a film starring Penelope Cruz, Natalie Portman friends with, couple with Tom Cruise. I therefore expect someone to explain where does this anachronism that does not even tell me that Natalie Wood was terribly advanced for its time, but just off the plate, because too unfashionable in advance.
I do not mind sharing with Scarlett Johansson, who would be much more comfortable in the Hollywood golden age, golden age that sometimes seems to be not a bygone era but a parallel, independent and works and still happening ... with Natalie Wood.